From the course: Animating in 2D: Hair and Clothing
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Moving holds: Basic
- [Instructor] Let's take a look at a moving hold. So, this is a scene first that doesn't have one. And in this scene we have our figure coming to a full stop, and everything, arms, head, body, legs, all stop on the same frame. So there's no moving hold here, it all feels very mechanical. Point, getting right over there like a machine. So this was my original thumbnail for this scene, obviously it's a much longer scene. All I've done is focused on these few frames here as he's moving into the stop, very common thing to have to do. And again, we're just zooming in a bit. So the scene that you just saw I think is about these last three or four images. So let's overlay my thumbnail. So I was going to do a scene something like this. So we begin in a contact pose, we work into the second contact pose half a second later, and then our final pose again half a second later, because we're on 24 frames a second here. And that's it, so, how do we get him into this position? So we have our number…
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