From the course: A Prolific Music Producer's Workflow for Finishing Tracks

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FX, ear candy, and automation

FX, ear candy, and automation - Logic Pro Tutorial

From the course: A Prolific Music Producer's Workflow for Finishing Tracks

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FX, ear candy, and automation

- Now that we've got some musical transitions happening, that is, stuff going on with our notation and our sounds, let's talk about making some decisions as far as automation and effects are concerned. So one of the things that we haven't done, are throws to reverbs, or delays or any of those kind of dubtricks that I really love. So let's do that as the first thing and I kind of want to do it for the end here. (electronic music) So what I want to do is create a nice swell, where my Send on my Sculpture Stab is kind of building. So we're going to create a new Send. And I want it to be a super lush, big reverb, I think I mentioned before that I do like doing things with kind of a big reverb and a nice, sort of, chorus on it. We did that for the clap. And by the way, I didn't use a Return for that because I just want it to be 100% wet, super crazy reverb sound, and that's going to be part of the identity of that sound. But for this, I'm going to use it on a Return because we might need…

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