From the course: Digital Audio Foundations
Unlock the full course today
Join today to access over 22,500 courses taught by industry experts or purchase this course individually.
Monitoring levels while mixing
From the course: Digital Audio Foundations
Monitoring levels while mixing
- How do we know that the monster is huge? Do we still perceive it as huge, whether watching the show on a big movie theater screen, on a living room size TV, or on a mobile phone? Well, yes, because what determines the perceived size of the monster is the relationship between the monster and the other elements, not the absolute size of the monster's image. Now, that doesn't mean that it's the exact same experience on all the different screen sizes. In the theater, you might see a lot more details. On a phone, maybe all you get is the general idea. Regardless, though, the comparison, or context, is the key. By analogy, when mixing audio, we need to be aware of how the mix comes across at different listening sizes, that is, volumes. The listening volume, or more precisely, the monitoring level makes a big difference in how we hear while mixing, and therefore, which mix choices we make. Part of that is how the acoustic personality of a room, good or bad, becomes stronger at higher…
Contents
-
-
-
-
-
-
-
-
Levels, pan, and automation6m 54s
-
Monitoring levels while mixing3m 40s
-
Partials, harmonics, and equalization (EQ)6m 33s
-
Types of EQ components7m 48s
-
Compression and other dynamic processing3m 14s
-
Threshold, ratio, and four types of dynamic processors5m 18s
-
Attack and release in dynamic processors5m 46s
-
Reverb5m 55s
-
Characteristics of analog and digital3m 24s
-
-