From the course: After Effects Compositing: 1 Intro to VFX
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Essential 4: An overview of what makes an image cinematic - After Effects Tutorial
From the course: After Effects Compositing: 1 Intro to VFX
Essential 4: An overview of what makes an image cinematic
- [Instructor] One sure sign of a mediocre result with visual effects work can actually be everything looking a little too perfect. Now of course it's understandable to want your work to be as close to perfection as possible, but that may not be what makes it cinematic or interesting. Here's a breakdown of a shot of mine from Pirates of the Caribbean: At World's End that started with actors in costume in a pool with a minimal bit of set to which we added foreground and background of a ship, bubbles, god rays, all of which we then obscured by making the shot so dark you can barely make out who's even there. It's almost as if we messed up the shot to make it look better. Here then is a radical concept for you precision and detail-oriented people. It's what the camera takes away from reality rather than what it adds that makes a shot feel cinematic or evocative, or like it belongs in your favorite movie, the one that you make that is. We looked at all the phenomena that a camera can…
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Contents
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Essential 1: Know how to match5m 24s
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(Locked)
Essential 2: An overview of moving selections7m 22s
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(Locked)
Prevent alpha channel fringing2m 4s
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(Locked)
Essential 3: An overview of the camera for compositing4m 26s
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(Locked)
Essential 4: An overview of what makes an image cinematic3m 35s
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(Locked)
Push adjustments hard for drama and intensity6m 23s
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(Locked)
Essential 5: An overview of color correction1m 56s
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(Locked)
Use Mask Tracker for color correction4m 10s
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(Locked)
Essential 6: Know how to comp fire6m 37s
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(Locked)
Add heat ripple and glow8m 54s
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(Locked)
Create convincing screen transparency3m 31s
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(Locked)
Essential 7: Develop a "good eye" to go further1m 51s
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