From the course: After Effects Compositing: 1 Intro to VFX
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Essential 5: An overview of color correction - After Effects Tutorial
From the course: After Effects Compositing: 1 Intro to VFX
Essential 5: An overview of color correction
- Mad Max Fury Road was widely perceived as having been shot mostly with practical effects and that it was color grading that made the big difference in look between this one and the other Mad Max movies. Now, that's not at all true. In fact, there were thousands of effect shots involving CGI but there's no question that the grade added to the dramatic effect of those effects and of the movie itself. If director George Miller had his way there apparently would've been a black and white release of the movie and that, ironically, brings me to my main point about being a colorist. When you're working on your own project, I encourage you to be a colorist and pay attention to how color influences the viewers attention and the emotion of the shot sequence or entire film. Here we're looking at an example of the car jump sequence with and without it's color grade. I decided to give this piece the hot exterior look of an old west showdown somewhere in Mexico but there are other ways you could…
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Contents
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Essential 1: Know how to match5m 24s
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(Locked)
Essential 2: An overview of moving selections7m 22s
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Prevent alpha channel fringing2m 4s
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(Locked)
Essential 3: An overview of the camera for compositing4m 26s
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Essential 4: An overview of what makes an image cinematic3m 35s
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(Locked)
Push adjustments hard for drama and intensity6m 23s
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(Locked)
Essential 5: An overview of color correction1m 56s
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(Locked)
Use Mask Tracker for color correction4m 10s
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(Locked)
Essential 6: Know how to comp fire6m 37s
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(Locked)
Add heat ripple and glow8m 54s
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(Locked)
Create convincing screen transparency3m 31s
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(Locked)
Essential 7: Develop a "good eye" to go further1m 51s
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