- [Instructor] Now that we have our cameras all solved,…we're ready to export out to our…3D and compositing packages.…But because we used distortion values…to solve our cameras, so that they fit the real world,…we're going to need to use an undistorted…workflow in our 3D and compositing.…Let's set that up, if you go over to the summary tab,…now let's go down to lens workflow…and I'll just click this on default…and the option we want is number two, redistorted…and what's that is going to do is…undistort our footage so we can work with our 3D,…and then we'll have to redistort everything…at the very end to match up with our original play.…
The only other thing we need to change is our margin,…change that to zero…and press okay.…And now we have our plate is undistorted.…Now, if we don't do this first,…and we export out our scripts,…our scripts are going to be the wrong frame size…because the undistortion just added pixels…to the size of the frame.…So now that we have that set,…we're ready to start exporting.…So let's go up to file, export…
- Exporting cameras to Maya and After Effects
- Importing models
- Setting up scenes for compositing
- Setting your color space
- Using 3D in After Effects to add a change
- Connecting all of your shots
- Rendering final composites
Skill Level Advanced
VFX Techniques: Crowd Replication with After Effectswith Lee Lanier2h 54m Intermediate
VFX Techniques: Digital Set Extensionwith Lee Lanier1h 47m Intermediate
SynthEyes Essential Training (2015)with Brian Morse2h 34m Beginner
1. Exporting Cameras to Maya and After Effects
Exporting from SynthEyes7m 29s
2. Working in Maya
3. Compositing in After Effects
4. Using 3D in Cinema 4D Lite to Add a Change
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