From the course: Creating a Mograph Title Sequence: 2 Animating in After Effects
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Initial color correction
From the course: Creating a Mograph Title Sequence: 2 Animating in After Effects
Initial color correction
- [Instructor] In this chapter, we'll take care of all of the visual effects for the entire composition shot by shot. But as a first step I want to fix some core issues that happened when we moved the project from Premiere Pro to After Effects. So, I'll start with shot number one and shot number two. And you can see that there is a difference in terms of sharpness and colors. So, I'll go to this copy of this composition, shot 01.1 and I'll move my cursor here, and I'll select the shot. This is going to show me the Lumetri Color effect, which we set up in Premier Pro, and was copied over here. So, I'll (mumbles) it down and open the creative section. And, over here, I have this sharpened option. I'll take it all the way to its maximum value of 100% and this will take care of the sharpness difference. But to match the colors I'll do something else. I'll go to the Effect menu and, under Color Correction, I'll grab the Tritone…
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Contents
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Initial color correction6m 34s
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Removing unwanted content6m 21s
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Fixing the sky3m 30s
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Improving the matte3m 14s
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Creating a water displacement4m 35s
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Extending and tracking6m 35s
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Creating a matte with Colorama4m 13s
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Transitioning to red sky5m 14s
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Creating a matte with Auto-trace4m 31s
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Matching the colors and motion2m 11s
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Replacing the comps3m 9s
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Adding an overall look2m 57s
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