- The color-correction process
- Comparing Color to Final Cut Pro
- How Color thinks
- Making primary corrections
- Making secondary corrections
- Sending files back to Final Cut Pro
Skill Level Beginner
- [Voiceover] Hi, welcome to Lynda.com's Getting Started with Apple's Color. I'm Robbie Carman. First things first. I'm so excited to start to explore color with you, and I know that after going through this course, you're going to be just as excited as I am. Before we jump into the actual app, I'd like to spend a few minutes talking about a couple things. Who I am, why I love Color, and what you're going to get out of this course. So, who am I? Well, I'm a colorist. I've worked on major shows for networks like Discovery Channel, National Geographic, but I've also done a lot of corporate work.
I'm an online editor, which basically means I'm the nitpicky guy at the end of the edit pipeline who works on a show before it goes to air. I'm an Apple Certified Trainer. I'm certified in all levels of Final Cut Pro, motion, of course color, aperture, and probably a few others that I'm not even remembering right now. I'm an author, I've written a couple of books about Final Cut Pro. And I've also been a technical editor on several books about color correction. And, I'm a post-production consultant. I've helped major networks, like Discovery and National Geographic, integrate Final Cut Pro Studio Workflow into their own workflows.
So why do I love Color? Well, I love Color because it's a mix of the technical and creative. There's a certain aspect of it that's technical problem solving, fixing shots that are bad. But then there's also the aspect of the creative where we can really make shots look very, very cool by applying looks and doing other neat things to them. I get to be the unsung hero. And what I mean by that is because if I do my job right in Color, nobody every notices my work. Well, hopefully they do. But the point is is that I get to really do a lot of behind the scenes work that really makes a project shine.
Grading for everyone. Finally we have a solution in Color that allows everyone to color grade. No longer are we limited to million-dollar solutions that only the elite of the post-production world can afford. Integrated workflow. This is perhaps the best thing I like about Color. Because now we have a solution that's integrated with the rest of the Final Cut Studio applications. And of course it's from Apple, and how can you not love a product when it's from Apple? So what is this course all about? Well, this course is understanding the color correction process.
It's about getting projects from Final Cut Pro to Color. It's about learning the basics of the Color interface. What things are called and what they do. It's about making primary and secondary corrections to our footage. And, ultimately, it's about getting our project from Color back to Final Cut Pro. So once again, I'm very excited for the opportunity to start exploring color with you. In the next two lessons, we'll get some background information about what is color correction, and take a brief look at color correction in Final Cut Pro versus Color. And then in the next five lessons, we'll jump into Color and get our hands dirty.
Thanks again for joining me, Robbie Carman, and Lynda.com in Getting Started with Apple's Color.