From the course: Painting Foundations: Light and the Landscape
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Four tones of the landscape
From the course: Painting Foundations: Light and the Landscape
Four tones of the landscape
(soft piano music) - When I'm deciding on a landscape to paint I look for areas of very light, very dark, and then a few mid tones within the scene. So, initially I'm not looking at what shade the green is going to be, or what pigment would be best used, but rather if I took a black and white photograph of the view how would it look. And if you quint your eyes at a subject it helps you to be able to see the big differences between the tonal masses more easily. Thinking about the black and white tones gives us a framework as to whether the scene is going to work compositionally as a painting. But most importantly for this lesson it also helps to guide our color mixing. You can split a scene into varying degrees of tonal groups. I'll often use three or four tones for very quick sketches and sometimes as many as eight or nine if I just want to get a feel for the painting before committing to color in a larger scale. In John Carlson's book, Carlson's Guide to Landscape Painting, he talks…
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Contents
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Brushstrokes and broken edges14m 56s
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Color ground for our Venetian sunset11m 33s
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The importance of verticals14m 36s
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Four tones of the landscape3m 44s
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Poster study: Value planes13m 22s
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Challenge: Grouping tones together1m 37s
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Solution: Revealing the tonal studies11m 48s
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