From the course: Audio Recording Techniques
Miking the amplifier: Technique one
From the course: Audio Recording Techniques
Miking the amplifier: Technique one
Electric guitars don't need anything fancy to capture their sound, but there are a few techniques that can improve your recording. In this video I'm going to show you the basic tried and true technique for recording a guitar amplifier. The frequency response of the electric guitar doesn't go that high or that low, and the more distorted it is the fewer transients the signal has, making it somewhat easier to capture than other instruments. As a result, dynamic mics are frequently used with good results. That said, sometimes it's surprising just how good an amp can sound when a large diaphragm condenser or a ribbon mic is used, so don't be afraid to experiment. While many engineers like to use our friend, the Shure SM57 in this role just about any mic can work. If there's more than one speaker in the cabinet, listen to them all to find the one that sounds the best. That means the one with the best balance of frequencies that's not intentionally distorted. Use a set of high quality earplugs like the Etymotic ER20s to protect your hearing while you are listening. Place the mic an inch or two away from their best sounding speaker in the cabinet, at about three-quarters of the way between the edge of the speaker and the voice coil, or the center of the speaker. Have the guitar player play the song you're about to record and listen on the monitors. (music playing) Move the mic towards the voice coil, which is the middle of the speaker, then move it towards the outside edge of the speaker. (music playing) Notice how the sound gets brighter as the mic approaches the voice coil and gets more mellow sounding as it moves towards the edge of the speaker. Find the place that gives you the best combination of body and definition. That's the most basic technique for miking a guitar amplifier.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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Finding the right placement in the room for the guitar1m 24s
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Miking the amplifier: Technique one1m 58s
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Miking the amplifier: Technique two1m 30s
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Miking the amplifier: Technique three1m 54s
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Using the Marshall cabinet miking trick1m 30s
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Recording the electric guitar direct6m 51s
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Prepping for recording acoustic guitar58s
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Recording the acoustic guitar with one mic2m 46s
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Recording the acoustic guitar with two mics1m 46s
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Recording the acoustic guitar with three mics1m 19s
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Exploring stereo acoustic guitar miking techniques1m 31s
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Recording the acoustic guitar direct1m 14s
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Using a limiter when recording acoustic guitar1m 39s
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Tracking the guitar part1m 11s
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