From the course: Audio Recording Techniques
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Using a limiter when recording acoustic guitar
From the course: Audio Recording Techniques
Using a limiter when recording acoustic guitar
Although compression and limiting is usually best left for when you mix, sometimes just a touch of limiting when recording can control the peaks and make the acoustic guitar sit a little better with the other instruments. Let's take a look at how that's done. Plug a hardware limiter either into the output of the mic preamp or an insert on the console. Keep in mind that the plug-in might add a delay to the recording, which can throw the player off because what he'll be hearing in the headphones will be after he plays it. Start with the limiters set a 10:1 compression ratio with both the attack and release controls set to medium. Then set the threshold controls so there's only a couple of dB of compression happening on the peaks. (music playing) Depending on the type of rhythm that the guitar player is playing you may want to decrease both the attack and release time so they react faster. Be aware that the sound will begin to dull if the attack is set too fast, and you'll begin to hear…
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- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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Finding the right placement in the room for the guitar1m 24s
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Miking the amplifier: Technique one1m 58s
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Miking the amplifier: Technique two1m 30s
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Miking the amplifier: Technique three1m 54s
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Using the Marshall cabinet miking trick1m 30s
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Recording the electric guitar direct6m 51s
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Prepping for recording acoustic guitar58s
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Recording the acoustic guitar with one mic2m 46s
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Recording the acoustic guitar with two mics1m 46s
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Recording the acoustic guitar with three mics1m 19s
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Exploring stereo acoustic guitar miking techniques1m 31s
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Recording the acoustic guitar direct1m 14s
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Using a limiter when recording acoustic guitar1m 39s
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Tracking the guitar part1m 11s
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