From the course: DSLR Video Tips: Cameras & Lenses
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Evaluating the shots
Rich: Alright, we've headed down to the studio to take a look at the footage we got from the pocket cinema camera, and we shot with a bunch of these, but we're just going to take a look at a couple of shots, just to see how it behaved. Right here, we have a stand-in. This is Patrick Inhoffer, who's a colorist. It's kind of funny to put a colorist in front of the camera Robbie: He was very, he was very nervous. Rich: Yes. And we're looking at the video color correction here, this is the video look of the pocket cinema camera, and I must say, it's Not as saturated. I don't know if that was the lens. Robbie: Yeah, I mean if we go back to our first shot here where we have some footage from the the regular cinema camera, yeah you'll notice that skin tone seems to be a little bit more saturated, a little bit more robust compared to something like over here. Now, again that could be, as you said lens, it could be sensor size. I was a little taken back by that as well that it wasn't as sort…
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