From the course: DSLR Video Tips: Cameras & Lenses

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Matching ProRes footage

Matching ProRes footage

From the course: DSLR Video Tips: Cameras & Lenses

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Matching ProRes footage

- So previously, Pat, we took a look at matching some log clips, and we got it pretty good. Of course, like anything else. - No, no, it was great, yeah. - We could've spent more time tweaking the various subtle details. The idea was that they were pretty off, right? And they were sort of that flat log, and we wanted to get it back. In this case, we actually have two shots that were shot on, again, the Blackmagic Cinema camera, and then on the Blackmagic Pocket Cinema camera, and they were both shot in video mode, right? - Yes. - And we talked about this up in the studio that, when you shoot in video mode, it's kind of normal video. REX seven or nine kind of video, and we take a look at these two clips here inside of DaVinci Resolve. Huh, you'd think that they would look. - [Pat] A lot closer. - [Robbie] A lot closer. I mean, I would argue that the log clips that we looked at in the previous movie looked more close to begin with than these two did. - [Pat] Yeah, and even after we…

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