From the course: DSLR Video Tips: Cameras & Lenses

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Mirrorless workflow

Mirrorless workflow

From the course: DSLR Video Tips: Cameras & Lenses

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Mirrorless workflow

>> Alright, just a quick word about workflow and these cameras. It's pretty similar to a DSLR, Rob, right? >> It is, I mean, we're working with compressed file formats. Now, depending on what camera you're using, you might have a choice of file formats. >> Yeah. >> From MOV, which of course, is a Quicktime file, to AVC-Intra files, to MP4's. >> Yeah. >> It really just depends. >> And you're going to want to look specifically at that. You know, for example, the OM-D? >> Mm-hm. >> It's an H.264 file. Now I could drop that in Premiere native. >> Yep. >> I could drop it into the newer Final Cut 10 and it could work native or it'll transcode in the background. >> Either way. >> That's fine. If you are serious about shooting a lot of video and you're specifically buying this form factor for video, I would say that the GH3 is kind of the leader here. because AVCHD is more robust than H.264. >> Yeah and a lot…

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