From the course: Video Production and Post Tips

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DCI P3 in production and post

DCI P3 in production and post

From the course: Video Production and Post Tips

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DCI P3 in production and post

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- So Rob, if we go out, and we fire up a camera, we start digging in the menus, we're not going to see P3 pop up here. - No, not really, there's really no specific P3 modes out there. I mean, the whole idea behind P3 is that it is a wide gamut working and presentation color space, right? - So a lot like in the photography industry, we might shoot with Adobe RGB, or you're shooting RAW, so if I fire open Adobe Photoshop Lightroom, and I'm developing my RAW files, it's going to actually work in a space called ProPhoto RGB, which is a wider-gamut RGB space. It gives me more flexibility as I adjust my post-process. - Yeah, and actually if you think about the origins of P3 right, with DCI, and high-end film workflows, the idea I think was really, hey, we're going to be shooting RAW anyway, so the thing about RAW is that you can kind of parse it into any container, working container that you want, right? So taking Cinema DNG file or RE RAW file, or Red RAW file on R3D, and parsing that into…

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