From the course: Dustin Farrell's Time-Lapse Photography: Start to Finish

Dustin Farrell's Time-Lapse Photography: Start to Finish - Preview

From the course: Dustin Farrell's Time-Lapse Photography: Start to Finish

Dustin Farrell's Time-Lapse Photography: Start to Finish - Preview

Dustin: (MUSIC) The thing that really attracted me to time lapse was that you can make images that are not possible with video camera. A lot of the gear that I'm using it's got to be portable, because lot of these locations are really hard to get to. Figuring out how far the dolly have moved over so much time, plus, line that up with the pacing of the Milky Way. When you're looking at the lighting, you can barely even see it. But the camera, when you're going to do a 30 second exposure, brings out that light like you wouldn't believe. I just bring things directly into After Effects, and so I can add key frames and I can adjust my framing as the shot is moving. Now that I've done so much time lapse, it's just second nature. The final product always makes the process worth it. (MUSIC)

Contents