From the course: Photoshop-Illustrator-InDesign Powercombo for Design
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Using Photoshop alpha channels
From the course: Photoshop-Illustrator-InDesign Powercombo for Design
Using Photoshop alpha channels
- [Instructor] There are some occasions where you want to isolate part of an image in Adobe InDesign without having a hard edge around your selection. And that is exactly where Photoshop Alpha Channels come in handy. I'm here inside of Adobe Photoshop, and I have this picture here. Which is actually a regular image combined with a regular layer mask. Now, let me quickly just hold down the Shift key and click the layer mask thumbnail to temporarily disable the layer mask. Now, if I zoom in just a little bit, you'll clearly see that a part of this image here is actually blurred. So there's a depth perspective happening. And the front here is actually sharp. Now if I were to take the pen tool and draw a path around this, then you'd clearly see that these edges here in the background would be very hard. They would not be blurred in anyway. Because well, it's a path. Either it's visible or invisible. Now, if I use this…
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Contents
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Working with Photoshop layers4m 55s
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(Locked)
Creating layer comps in Photoshop4m 41s
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(Locked)
Using Photoshop layer comps2m 13s
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(Locked)
Using Photoshop snippets5m 37s
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(Locked)
Creating a Photoshop clipping path4m 16s
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(Locked)
Using Photoshop paths5m 41s
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(Locked)
Using Photoshop alpha channels6m 11s
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(Locked)
Grayscale images for monotone print3m 27s
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(Locked)
Grayscale images for duotone print2m 57s
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(Locked)
Vector Photoshop content in InDesign4m 35s
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