From the course: Final Cut Pro X & Logic Pro X: 2 Mixing Dialog, Music, and Effects

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What you should know

What you should know

- [Instructor] My partner in this title is Mike Towe, who created the Final Cut companion to this Logic title. We produced this title because we were convinced that there were Final Cut editors who wanted to do more of their audio post, and want more tools than Final Cut offers. We were also convinced that there are composers who want to start doing more audio post, and people currently doing audio post in another app that are interested in moving to Logic. So, you might be seeing Logic for the first time, or you might be very familiar with it in a musical context, but not for post. So, we'll going to assume a basic understanding of timeline editing and audio tracks. I'm using Logic 10.3.1, running on Sierra 10.12.6 Beta. So, you don't need a high performance, maxed out, whizbang computer for this work. If you're used to Logic 9 or older, Logic 10 will look very different to you, it's a complete overhaul. Our setup would accept audio from any of the exchange formats, AAF, OMF, or XML.…

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