Workflow for an architectural shoot

>> So how does everything we've talked about so far relate to shooting exteriors? >> Well it, it's really all the same stuff. We primarily are going to be using the sun as our main light source when we shoot during the day. And during the night we're going to be using the existing architectural lighting that the lighting designers have put in. Plus the interior lighting. And then any supplemental lighting that we add to the exterior surface and the only time I really add that is when we have an area that we need to see and we can't see it. So I'll light for that. >> So let's talk a little bit about the nuts and bolts of how you work. What's your typical start to finish work flow? >> Well, normally, I like to shoot tethered to a computer whenever I can. And the reason I like to do that is so that I get to see a large version of the image on the computer screen. I get to see an accurate histogram as well, and it makes it easier for me to work. I can also bump into to image at up to 100%…