From the course: Travel Photography: Fjords of New Zealand
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Post-processing on a panorama shot from a boat
From the course: Travel Photography: Fjords of New Zealand
Post-processing on a panorama shot from a boat
- On the boat, I did a hand-held panorama. And that was literally holding the camera, shot, shot, shot, shot. And I did four frames, and I did just a real, kind of mental overlap, about 30%. And the image itself, didn't turn out great. It's not something I'm happy with. But, what I do want to show you, is that is works, and that you can do a hand-held pano from a moving subject, if your shutter speed's fast enough. Let's take a look at the four images, and we'll notice I shot them at 1/320th of a second. That's really fast, so that's why I was able to pull this off. And before I put the pano together, I just want to mention, if you want to make a change to one image, let's go ahead and just do a hypothetical change here. We'll lift the shadows a little bit, reduce the highlights. Whatever you do, you need to sync, so that all the images have the same adjustments. So if I shift-click on the last one and hit the Sync button, and I'm gonna go ahead and Check All, make sure that…
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Introducing how to shoot from a boat1m 17s
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Shooting a waterfall from a boat5m 39s
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Shooting a wide-angle shot from a boat in the fjords1m 5s
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Shooting a waterfall from a boat without a tripod1m 56s
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Documenting the fur seals in Milford Sound1m 47s
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Shooting a waterfall up close on a boat3m 26s
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Wrapping up the boat shoot with a wide angle of Mitre Peak1m 44s
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Post-processing a waterfall shot from the boat trip6m 13s
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Post-processing on a panorama shot from a boat3m 25s
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