From the course: Portrait Photography: Ten Styles with One Light
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Full length or three quarters
From the course: Portrait Photography: Ten Styles with One Light
Full length or three quarters
- Now as long as you're set up for this moody portrait, ya out of back up and make some more full length pictures or three-quarters length. One of the benefits of using this really dramatic light setup when you're shooting a larger portrait of a person is that you don't have to reveal the entire body. One small difference from doing the head-shots with the moody and dramatic light is that you might want to lower the position of your light so it's shining more at shoulder level instead of just at eye level. This way, you're illuminating lower on the body also, especially if you use a large diffuser or modifier like here, we're using our five in one reflector as our modifier. We can hold this up next to our subject and shine a speed light right through it and get a really soft, dramatic light that illuminates her whole body. These moody, dramatic, deep shadow portraits are some of my favorites. I do them at every shoot and it always astounds my client that making just small changes to…
Contents
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Lighting and posting for what the portrait should say1m 22s
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Clam shell headshot1m 15s
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Loop or Rembrandt1m 29s
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Dark background and deep contrast1m 54s
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Full length or three quarters1m 10s
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Split light, skipping, and intense1m 6s
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Extreme angle1m 30s
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Reflector as the front light49s
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Reflector as the back light1m
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Silhouette1m 6s
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Second curtain sync3m 23s
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