From the course: Photo Critique of the Week
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Photographing events: Some considerations
From the course: Photo Critique of the Week
Photographing events: Some considerations
- Hi, everybody. Steve Simon, The Passionate Photographer, here, and welcome to a brand new edition of Photo Critique of the Week. And this week we're going to look at a subject and an approach to a subject. And in this particular case it is a ballet dance school. And I just wanted to highlight some different perspectives by different photographers, and giving you sort of food for thought when you yourself have to go out and photograph a specific event. So obviously this isn't a stage situation. It is a classroom situation, but they're practicing. So because of that there tends to be a stronger access. And in this case I wanted to photograph and highlight the male dancer in the foreground sharp and the other dancers doing something in the background. And obviously the fact that he's caught in the air makes for a stronger image, but from a compositional standpoint the fact that he is not overlapping any of these other dancers and almost pointing to this one, and then moving to this…
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Contents
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Critique of window images from multiple photographers7m 44s
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(Locked)
Critique of some of Ben Long's black-and-white work12m 24s
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(Locked)
Critiquing images from other photographers from a parade9m 26s
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(Locked)
Critique of wedding images from Rick Collins8m 3s
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Critique of Juan Carlo Ocana's Cuban images8m 54s
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(Locked)
Critique of Barb Davidson wrestling essay6m 6s
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Looking at the work of Clifford Pickett6m 53s
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Analyzing the work of street photographer Hakim Boulouiz6m 21s
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(Locked)
Critique of a series of the beverage bottles in Havana5m 11s
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Exploring images of the roads of Havana3m 15s
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(Locked)