From the course: Photo Critique of the Week

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Why this frame?

Why this frame?

From the course: Photo Critique of the Week

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Why this frame?

“

- [Steve] Hey, everybody. Welcome to Photo Critique of the Week, my name is Steve Simon, the Passionate Photographer. And this week, I'm going to talk about some images that the critique will be longer than the time it took me to make these images because both scenes were made from kind of the same place I was photographing on one side, then I turned, and I saw another motorcycle or Vespa vehicle on the other side. And it all transpired in a relatively short time while I was waiting for the light to change. So let's talk about why I chose the frame that I did, and we'll see if you agree because, in a lot of these situations, you know, it's a matter of deciding which picture has the least amount of faults, if you will, and is most effective at communicating what it is that you're saying here. So, I came across this corner in Rome, and these gentlemen, well-dressed, on the motorcycle or the Vespa, I guess it might be,…

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