From the course: Deke's Techniques (2018-2021)
906 Rotating with precision accuracy
From the course: Deke's Techniques (2018-2021)
906 Rotating with precision accuracy
- [Instructor] In this movie, we're going to scale and duplicate our pool queue in order to create these hour and minute hands, and then we're going to very precisely rotate those hands to represent a specific time, in this case 353. All right, so I'll go ahead and switch over to our document in progress here, and I'll turn on the Guides layer so that we can see those center guides, and then I'll go ahead and select this stick just by marqueeing it with the Black Arrow Tool. And I'll switch to the Rotate Tool, which you can get by pressing the R key. All right, now you want to go to the View menu and make sure your Smart Guides are turned on. If you're seeing a check mark in front of the command, then you're good. And then you want to move your cursor over the intersection of those two center guides, and Alt or Option + click to force the display of the rotate dialog box, at which point I'll change the angle value to 90 degrees. And with the Preview checkbox turned on, you can see that gives us a vertical pool view, at which point, click the Copy button in order to create a copy of that object. Then, switch back to the Black Arrow Tool by pressing the V key, and click on that original object, you're probably going to have to click on its outline in order to select it. That's why I oftentimes just go ahead and marquee objects that contain clipping masks, as in this case here. All right, now you want to select the Scale Tool, which you can get by pressing the S key, and then Alt or Option + click, once again at the intersection of those two center guides, try to be as careful as possible. And then we're looking for a non-uniform scale, and I came up with a horizontal value of 62%. We're going to leave the vertical value set to 100%, at which point, click the OK button this time around as opposed to Copy. All right, now I'm going to bring back my Balls layer, and then I'll press Control + Shift + A, or Command + Shift + A on a Mac, in order to de-select the objects. And I'll go ahead and zoom out a little bit here. Now, this would be all we need if we wanted to set the time to exactly three o'clock. Because notice, the shorter hour hand is pointing at the three ball, and the longer minute hand is pointing at 12. However, I want to set my clock, if only for the sake of demonstration, to 3:53, you can change it to anything you like. And to do that, go ahead and make a duplicate of the Sticks layer, and that way you could go back and change it to a different time, if you want to. By clicking on this fly out menu icon in the top right corner of the layers panel and choosing Duplicate Sticks. Then turn off the original Sticks layer and go ahead and double click on the name for the new one and change it to Hands, and then press the Enter key, or the Return key on the Mac. All right, now press the V key in order to switch back to the Black Arrow Tool, and marquee that minute hand in order to select it, and then go ahead and zoom in on it by pressing Control + plus or Command + plus on the Mac. And I'm going to scroll down so I can see the bottom of the stick. And then, I will once again select the Rotate Tool, which again, you can get by pressing the R key. And I'll move my cursor to the intersection of those two guidelines, and I'll Alt or Option + click. Now the idea is that we want to rotate the minute hand 53 minutes in a clockwise direction. And so the first thing we need to do is translate minutes into degrees here in the rotate dialog box. So I'm going to enter 360 degrees, which describes an entire circle, and divide it by 60 minutes, like so. And then I'll press the Tab key, and we come up with an angle of six degrees. Notice, however, that we're rotating that minute hand in a counterclockwise direction. If we want clockwise instead, we need to change that value to negative six degrees. At which point we've now rotated the minute hand one minute in a clockwise direction. We really want 53 minutes, and so I'll go ahead and enter asterisk after the value, 53. Now if you want some other number of minutes, then you would enter those minutes instead of 53. However, 53 is what I'm looking for. And so I'll press the Tab key. That comes out to negative 318 degrees. Who cares, it just happens to be right. At which point I'll click OK in order to accept that change. And now if I press Control + Shift + A or Command + Shift + A on a Mac in order to deselect the artwork. And I press Control + zero or Command + zero to zoom out, you can see that this minute hand is exactly at 53 degrees where this clock is concerned. All right, now the hour hand takes a little more effort. We need to rotate it 53 increments between three and four o'clock right here. And so I'll press the B key to switch back to my Black Arrow Tool. I'll marquee that hour hand like so. And now, I'm going to zoom in pretty tight. I still want to be able to see the three and four balls here. And so I'll go ahead and switch back to the Rotate Tool, and then I'll Alt or Option + click at the intersection of those two guidelines. Don't worry if something ends up getting highlighted on screen, just make sure you Alt or Option + click at the intersection. And now what we need to do is figure out the distance from three to four o'clock. So we'll take 360 degrees, and this time we'll divide it by 12, that's 30 degrees. However, because it's a positive value, we're rotating the hand in the counterclockwise direction. That's just the way things work in Illustrator. If you want to rotate it in the clockwise direction, then change that value to negative, like so, and you can see that I have successfully rotated that hour hand from three o'clock all the way to four o'clock. Don't really want to go that far, I just want to go 53/60 of that distance. And so the first thing I'm going to do is click after this value and enter /60 to divide it by 60 increments. So 60 minutes, which gives me negative 0.5 degrees, which rotates that hour hand one minute from three o'clock to four o'clock. And now, I'll go ahead and click after that value and enter *53. Again, if you want some other time, you would enter those minutes right there, and then press the Tab key. That translates to an angle value of negative 26.5 degrees. Again, doesn't matter. It's just what it is at which point, I'll click OK to accept that change. Then I'll de-select my artwork by pressing Control + Shift + A or Command + Shift + A on the Mac. And you can see if I zoom out, that we are accurately representing an analog time of 3:53, whether it's 3:53 in the morning, unlikely that the pool hall's going to be open then, or 353 in the afternoon. All right, I'm going to turn off the Guides layer, and now what I want to do is copy that drop shadow from the Balls layer to the Hands layer. Notice these circular targets right here, they're known as meatballs internally at Adobe. This guy is hollow, the one for hands. And this guy right here is filled. That tells you, the filled item right there, tells you that there is a dynamic effect assigned to that layer, which is the drop shadow. If you wanted to move that dynamic effect to the hands layer, you would just drag it, like so. But that would turn off the drop shadow for the balls, that's not what we want. So instead, we'll go ahead and undo that change by pressing Control + Z or Command + Z on the Mac, and I will Alt or Option + drag that guy. Notice that I'm seeing a little plus sign next to my cursor. And now if I release, I go ahead and copy the drop shadow like so. And that is how you apply precision rotations using very basic math here inside Illustrator.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
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- 750_pattern_fit.zip
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- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
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- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
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- 766_snowflake_bokeh.zip
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- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
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- 984_pen_tricks.zip
- 985_round_corner.zip
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- 988_AI_brushed.zip
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- 993_bi_aberrations.zip
- 994_hide_shapes.zip
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- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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860 Using an iPad as a Sidecar drawing tablet11m 37s
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861 Introducing Adobe Fresco for the iPad15m 27s
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862 Adobe Fresco paints halftone patterns9m 37s
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863 Live brushes in Adobe Fresco9m 36s
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864 Using oil brushes in Adobe Fresco5m 54s
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865 Masking layers in Adobe Fresco9m 47s
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866 Repurposing and inverting masks5m 25s
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867 Vector brushes in Adobe Fresco9m 7s
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868 Opening Fresco art in Photoshop8m 32s
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869 Customizing the Auto Color command6m 51s
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870 Camera Raw 12: Panoramas with fill edges9m 38s
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871 Developing your panorama in Camera Raw5m 53s
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872 Healing with Clone Source plus Diffusion8m 8s
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873 The improved Simplify command in Illustrator 20207m 25s
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874 Filling in any post-Simplify gaps4m 27s
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875 Posterizing colors, in the style of "Hair"11m 54s
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876 Recoloring art with the Paint Bucket tool5m 34s
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878 Adjusting your poster art dynamically6m 15s
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877 Posterizing colors nondestructively9m 8s
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879 Hiding the Filmstrip in Camera Raw4m 35s
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880 Making an awful photograph awesome10m 14s
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881 What if Rembrandt had painted sea lions?4m 43s
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882 Recolor a freeform gradient in Illustrator4m 58s
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883 Recoloring a gradient using a color group3m 24s
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884 Faking a GoPro over-under shot10m 20s
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885 Developing your over-under in Camera Raw4m 41s
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886 Drawing a 3D metal star in Illustrator14m 25s
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887 Rendering the 3D star in heavy metal5m 51s
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888 Creating a Wonder Woman 1984 poster effect9m 5s
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889 Creating the Wonder Woman displacement map15m 5s
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890 Masking your Wonder Woman11m 39s
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891 Creating a metadata template in Bridge9m 24s
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892 Streamlining a multi-use metadata template9m 29s
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893 The Photoshop 2020 freeform Warp enhancements12m 32s
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894 Applying a freeform Warp to a Smart Object7m 54s
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895 Rescuing a frame from a GoPro movie7m 49s
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896 Filling gaps with Content-Aware Fill7m 5s
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897 Two images are better than one13m 8s
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898 Blending images with a hand-drawn vignette4m 44s
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899 Creating a photographic painting12m 37s
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900 Drawing a gradient sphere as a 2D shape9m 49s
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901 Turning a sphere into a colorful pool ball7m 51s
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902 Changing a pool ball from solid to stripes8m 22s
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903 Rotate versus Transform Each in Illustrator9m 36s
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904 Recoloring your pool balls8m 20s
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905 Drawing a pool cue in Illustrator15m 43s
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906 Rotating with precision accuracy7m 28s
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907 Repeating a face so it shares a common eye11m 20s
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908 Continuous rainbow faces in Photoshop5m 42s
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909 Masking in the natural colors of the lips6m 8s
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910 Flipping a face to create new identities9m 8s
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911 Hand painting a symmetrical layer mask4m 18s
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912 Two ways to colorize with gradients6m 9s
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913 Two ways to mask gradient effects6m 40s
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914 Lantern tile: Type 1, onion7m 53s
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915 Lantern tile: Type 2, traditional6m 33s
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916 Lantern tile: Type 3, scallop4m 30s
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917 Quickly change the number of steps in Illustrator8m 22s
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918 Creating a blend inside a blend7m 44s
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919 Reversing the stacking order in Illustrator4m 32s
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920 Turning a blend into a repeating pattern12m 16s
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921 Recoloring a blended pattern5m 8s
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922 Precisely sizing any polygon in Illustrator9m 19s
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923 Creating a beveled, equilateral triangle11m 46s
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924 Turning a triangle into a Mercedes star9m 7s
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925 Adding a ring around the Mercedes star7m 57s
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926 Precisely sizing stars in Illustrator10m 20s
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927 Let's review that star technique5m 25s
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928 Creating real artwork with basic shapes9m 55s
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929 Making a face of triangles in Illustrator10m 18s
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930 Painting with gradients and translucency10m 34s
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931 More advanced gradients in Illustrator6m 52s
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932 Combining translucent vectors with a photo5m 30s
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933 Using the dynamic Free Distort filter9m 3s
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934 Combining dynamic effects in Illustrator6m 4s
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935 Creating a Halloween cat’s eye in Illustrator14m 35s
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936 Combining multiple gradient fills and effects8m 28s
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937 Tracing a photo with primitives in Illustrator11m 31s
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938 Halftone pattern and Zig Zag in Illustrator13m 5s
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939 Adding dynamic highlights to your cat’s eye10m 29s
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940 Blending reptile-like scales in Illustrator13m 42s
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941 Shading to your cat’s eye in Illustrator10m 53s
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942 Shading with variable-width strokes9m 10s
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943 Turning your cat’s eye into a dragon’s eye10m 40s
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944 Clearing the Photoshop Home screen5m 5s
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945 Hiding a single Home screen thumbnail3m 29s
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946 Clearing the Illustrator Home screen4m 4s
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947 A new way to unlock stuff in Illustrator5m
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948 Another way to unlock stuff in Illustrator2m 47s
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949 The new Line tool in Photoshop 202110m 43s
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950 Fixing a broken candy cane pattern4m 58s
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951 Creating a candy cane rhinoceros in Photoshop10m 4s
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952 Warping a pattern around an object4m 2s
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953 Adding some rippling, reflective ice shadows8m 35s
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