From the course: Inkjet Printing for Photographers
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Evaluating a localized adjustment in a practical example - Photoshop Tutorial
From the course: Inkjet Printing for Photographers
Evaluating a localized adjustment in a practical example
Ben: All right, Amber. It's the moment of truth. The prints are out of the printer. Amber: Yes! Ben: Let's see what happened. Ben: So, starting with this one. What do you see? Amber: It look so much brighter. It's so much slow clearer. I can see all the way details in the wood and everything. Ben: Cool! Yeah, it's interesting. We're getting two things. We're getting improved detail. There's also just--do you feel like there's a difference in terms of the focus of your eye? Amber: Yes. Ben: There's a--we've got a big brighter area, and that's interesting because you defined Ben: that area in the original edits with the vignettes that you did. Amber: Yes. Ben: But there's not enough contrast in here for it to really pop out the way it is here. As you look at it, do you see anything else that you might think you want to experiment with? It's okay if you don't. Amber: Not immediately, but maybe I'd bring a little more back into the fingernail or... Ben: More highlight on, or more detail…
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Contents
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Printing and your workflow3m 3s
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Printing black-and-white photos6m 49s
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Understanding the histogram7m 37s
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Understanding what localized adjustments are used for2m 38s
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Explaining the histogram with a practical example6m 51s
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Making a localized adjustment in a practical example5m 30s
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Evaluating a localized adjustment in a practical example2m 29s
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Refining a localized adjustment for effect13m 36s
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Making a gradient adjustment6m 47s
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Paying attention to viewing conditions4m 49s
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Summing up1m 50s
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