From the course: Photoshop Masking and Compositing: Fundamentals
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Moving selection outlines vs. selected pixels - Photoshop Tutorial
From the course: Photoshop Masking and Compositing: Fundamentals
Moving selection outlines vs. selected pixels
In this next project, we're going to take this photograph of this crazy guy and we're going to paste him inside of this egg, and the net result will be this photorealistic composition. Now even though this is a kooky project there is a lot of information to be learned from these next few exercises, so definitely stick with me here. We're going to start things off by selecting this egg. Now the natural approach, because it's a smooth outline and it's obviously not any of the shapes that we've seen so far, the natural approach would be to get the Pen tool, and the Pen tool is astoundingly powerful, so powerful that I'll be devoting an entire course on this series to the pen. However, we don't need to resort to the pen where this egg is concerned, because it's fundamentally an elliptical form. So we can start with an Elliptical Marquee and then distort it to exactly fit the contours of this shape. Once you come to recognize just how many different natural objects are fundamentally…
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Contents
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(Locked)
Introducing "selection calculations"4m 19s
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Combining two different tools7m 29s
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Selections and transparency masks5m 17s
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Selecting an eye7m 1s
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Masking and blending a texture into skin5m 1s
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Painting a texture into an eye4m 19s
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(Locked)
Combining layers, masks, channels, and paths4m 54s
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Moving selection outlines vs. selected pixels5m 36s
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Transforming and warping a selection outline7m 45s
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(Locked)
Pasting an image inside a selection7m 26s
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(Locked)
Adding volumetric shadows and highlights6m 54s
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(Locked)
Converting an image into a mask4m 42s
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Selections reign supreme56s
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