From the course: Photoshop Masking and Compositing: Fundamentals
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Working with path outlines - Photoshop Tutorial
From the course: Photoshop Masking and Compositing: Fundamentals
Working with path outlines
In this exercise we're going to brighten up the woman's eyes and we're going to do so using Vector Masks. This gets pretty gnarly, you're either going to think, wow, this is a lot more effort than it's worth, or gosh, this is great that I have that much control. Your opinion of course is entirely up to you, but it is a preview of just how powerful Paths are inside of Photoshop. We'll see a lot more of them when we get to the Pen tool course. I've saved my progress as Pixel and vector mask.psd, found inside the 09_layer masks folder. I am going to go ahead and zoom in on the woman's eyes, until we can see them actually at about 200%, will help us out pretty well. And I'd also like you just so that we can control things a little better, I'd like you to go ahead and click on any one of the layers that does not contain a vector mask, because otherwise that kind of complicates things. Now drop down to the Ellipse tool. So just as the Elliptical Marquee tool is great for selecting eyes, if…
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(Locked)
White reveals, black conceals6m 45s
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(Locked)
Layer masking tips and tricks5m 8s
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(Locked)
Generating a layer mask with Color Range5m 38s
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(Locked)
The Masks panel's bad options5m 18s
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(Locked)
The Masks panel's good options3m 50s
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(Locked)
Creating and feathering a vector mask3m 42s
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(Locked)
Combining pixel and vector masks3m 50s
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(Locked)
Working with path outlines7m 10s
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(Locked)
Combining paths into a single vector mask7m 52s
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(Locked)
Sharpening detail, reducing color noise4m 27s
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(Locked)
Recreating missing details8m 49s
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(Locked)
Masking glass5m 50s
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(Locked)
Refining a jagged Magic Wand mask5m 53s
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Masking multiple layers at one time5m 15s
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(Locked)
Establishing a knockout layer6m 6s
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(Locked)
Clipping and compositing tricks7m 37s
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(Locked)
The synthesis of masking and compositing1m 36s
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(Locked)
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