From the course: Multi-Camera Video Production and Post
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Color matching angles
From the course: Multi-Camera Video Production and Post
Color matching angles
- Once you've got your sequence put together, if you need to, you can easily make additional color correction tweaks. Here's how. If you've been following along, you can use the same sequence that you've been using, or open up version 1E. In Premier Pro, I will switch back to the color correction workspace, and then return up to the front here. At this point, feel free to switch back to the composite video view. You'll notice, as you select different clips here, that the previously applied basic corrections aren't actually applied anymore. For example, let's take a look at one of those other angles. Let's jump back here to one of our GoPro views, and you'll notice that the input LUT doesn't show. That's because the LUT was applied to the original source clip and not the actual multicamera version of that clip. So this makes it easy if you want to make additional tweaks. So for example, let's just fit our timeline in here and quickly take a look. I'll bring the scopes back up, but put…
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Contents
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Loading footage into Premiere Pro4m 58s
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Applying master effects color correction7m 14s
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Syncing multicamera angles in Premiere Pro6m 8s
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Customizing multicamera keyboard shortcuts4m 58s
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Recording multicamera edits7m 10s
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Finalizing the edit14m 41s
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Color matching angles6m 14s
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Flattening multicamera sequences and final mastering5m 37s
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