From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
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Using the Comparison View in Adobe Premiere Pro
From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
Using the Comparison View in Adobe Premiere Pro
if you want to use a reference shot, maybe the well lit interview and then you adjust the B roll so the persons skin tones match. Any case, it's useful to see the shot as you make adjustments. Let's go a little bit later in our sequence here and you'll see that we've got two shots of B roll. In this case, if I take a look at the two greens, they're close but not exactly right. Looking at the forest here, it has a more blueish greenish feel and right here, it's a lot greener. Not overwhelming but a definite difference here in the vegetation. Both shots are good on their own but they don't really match. What you want to do is click on the plus button here and make sure that comparison view is enabled. You can drag this icon down here so it appears. If you're working with a smaller monitor If you're working with a smaller monitor like I am here, it will be on the flyout and you should just be able to choose…
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Contents
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Set up a color correction workspace1m 50s
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Using the waveform monitor3m 45s
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Using the vectorscope3m 42s
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Using the RGB Parade2m 22s
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Toggling the Lumetri effect to compare2m 7s
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Using multiple Lumetri effects to organize adjustments3m 29s
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Using adjustment layers in Adobe Premiere Pro2m 50s
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Adding masks to the Lumetri effect6m 31s
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Using the Comparison View in Adobe Premiere Pro2m 42s
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Matching color and exposure with the Comparison View2m 19s
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