From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
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Using the vectorscope
From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
Using the vectorscope
- Our next scope is the vectorscope. It's quite useful for judging where colors are supposed to be, and to look for colors that are too saturated. Let's go to our next shot here, and I'll change our scopes to show the vectorscope. You'll see two types. Now, when I turn these on, it's a matter of un-checking the ones we want, and checking the ones we want active. On the left is the vectorscope HLS, Hue, Lightness, and Saturation, or Luma. On the right, is the YUV. I find this one a bit more useful. Additionally, as you look at a shot, you may find it useful to adjust the brightness here, so that these stand out a bit. This'll help you understand what's happening with a particular shot. So, for example, this scene is quite colorful. And, as we take look around the targets here, I see red, magenta, cyan, green, and yellow. Well, these in fact line up with the color bars. So, if we make a new item here, and add some color bars, you can actually see these. There we go. And let's just drop…
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Contents
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Set up a color correction workspace1m 50s
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Using the waveform monitor3m 45s
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Using the vectorscope3m 42s
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Using the RGB Parade2m 22s
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Toggling the Lumetri effect to compare2m 7s
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Using multiple Lumetri effects to organize adjustments3m 29s
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Using adjustment layers in Adobe Premiere Pro2m 50s
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Adding masks to the Lumetri effect6m 31s
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Using the Comparison View in Adobe Premiere Pro2m 42s
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Matching color and exposure with the Comparison View2m 19s
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