From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
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Using the waveform monitor
From the course: Premiere Pro Guru: Fixing Video Color and Exposure Problems
Using the waveform monitor
- In order to help you with color correction, there are scopes. Scopes are great because they're not subject to external things. Your eyes could be affected by being dehydrated, the time of day, if you're tired. Additionally, environmental factors like lighting, the color of the room, or ambient light coming in from a different source can affect you. But scopes do not lie. They're absolute so even if your monitor is profiled incorrectly, or the brightness is turned down, you can still trust the scopes, so let's start by taking a look at one of the most important ones. Up first is the waveform monitor. You can go up here to the clip and I'll press the plus key to zoom in a little bit. Let's press X to mark that clip and I'll press play. You'll notice that as the clips play, you can see content on the scope. Now the scopes area lets you choose which scope you're working with. I'm going to click here on the waveform and I'm working with the waveform luma. This helps me understand what's…
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Contents
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Set up a color correction workspace1m 50s
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Using the waveform monitor3m 45s
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Using the vectorscope3m 42s
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Using the RGB Parade2m 22s
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Toggling the Lumetri effect to compare2m 7s
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Using multiple Lumetri effects to organize adjustments3m 29s
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Using adjustment layers in Adobe Premiere Pro2m 50s
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Adding masks to the Lumetri effect6m 31s
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Using the Comparison View in Adobe Premiere Pro2m 42s
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Matching color and exposure with the Comparison View2m 19s
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