From the course: Premiere Pro Guru: Fixing Video Exposure Problems

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Working with a DPX sequence

Working with a DPX sequence - Premiere Pro Tutorial

From the course: Premiere Pro Guru: Fixing Video Exposure Problems

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Working with a DPX sequence

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- If you've shot a time lapse sequence, or a camera that's capturing Raw files as an image sequence, there's a great workflow you can use with both After Effects and Premier Pro. Let me show you. To start, I'll switch over to After Effects, and I've already made a project for this so I'll open it up. I'll go to the Raw folder, Raw time lapse, and open up the DPX creation. In this case, a image sequence has already been brought in. This was a series of Raw files, and if I take a look at those when I first import, watch what happens. When you import a series of Raw images into After Effects, you can develop 'em. Here's the DNG sequence. I'll select it, and tell it to import as a Camera Raw sequence. Now, it brings up the Adobe Camera Raw dialogue box. This means that I'm working with the Raw files. This is a lot like the soar settings you saw earlier. You can pop the whites. Look for clipping by turning on the indicators here. And I see that some of the highlights are being blown out…

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