In action: Versioning shots

Contents

• Introduction Introduction

  • Welcome and what you need to know before taking this course

    2m 33s
  • Exercise files

    2m 32s
  • Essential color correction vocabulary

    3m 27s
• 1. Understanding How People See 1. Understanding How People See

  • (Locked)
    Color correction should be easy, right?

    3m 59s
  • (Locked)
    A quick primer: Human visual physiology

    3m 16s
  • The psychology of seeing

    5m 2s
• 2. Getting Set Up for Successful Color Correction 2. Getting Set Up for Successful Color Correction

  • (Locked)
    Controlled and correcting lighting with a neutral environment

    7m 49s
  • Reference monitoring and calibration vs. computer monitors

    5m 49s
  • (Locked)
    The real world: Grandma's pink TV

    3m 12s
• 3. Starting a Grade: Creative Evaluation 3. Starting a Grade: Creative Evaluation

  • (Locked)
    Learning to creatively evaluate a project

    7m 6s
  • (Locked)
    Interpreting client direction while understanding client tendencies and references

    5m 19s
  • (Locked)
    What would you do? Creative evaluation examples

    5m 41s
• 4. Starting a Grade: Time and Effort 4. Starting a Grade: Time and Effort

  • (Locked)
    How long and how much effort will a project take to color correct?

    5m 25s
  • (Locked)
    The six stages of color correcting a project

    7m 54s
  • (Locked)
    How much time and effort: Examples

    7m 17s
• 5. Starting a Grade: Technical Evaluation 5. Starting a Grade: Technical Evaluation

  • (Locked)
    The role video scopes play in evaluating shots

    2m 25s
  • (Locked)
    Using a waveform to judge contrast and white/black levels

    11m 13s
  • (Locked)
    Using a vectorscope to judge overall color and saturation

    4m 58s
  • (Locked)
    Using RGB Parade and RGB Overlay waveforms to judge color balance

    5m 54s
  • (Locked)
    Using a histogram to judge contrast and color balance

    3m 14s
  • (Locked)
    Additional scope concepts: Skin tone, colorfulness, and shot matching

    9m 30s
• 6. Starting a Grade: Workflow 6. Starting a Grade: Workflow

  • The six parts of grading a project

    7m 1s
  • (Locked)
    In action: Identifying hero shots

    5m
  • (Locked)
    In action: Starting with brightness

    5m 33s
  • (Locked)
    In action: Moving next to color

    7m 55s
  • (Locked)
    In action: Versioning shots

    5m 59s
  • (Locked)
    In action: Saving, comparing, and exporting stills

    7m 21s
  • (Locked)
    In action: Getting to the end and making quick matches

    8m 42s
  • (Locked)
    In action: Worrying about the details

    5m 36s
• 7. Additional Color Correction Management Concepts 7. Additional Color Correction Management Concepts

  • (Locked)
    Timeline level grading

    2m 57s
  • (Locked)
    Building a correction and look toolkit

    6m 42s
• Conclusion Conclusion

  • (Locked)
    Summary

    51s