From the course: Pro Video Tips
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Booming techniques
This week on Pro-Video tips, I want to talk about a often ignored position on the film set. And that's a position of boom operator. Now, on the surface, the job might seem pretty simple. To just hold the boom. And because of that, people often, you know, your little cousin's visiting from out of town for the weekend ,and you give them the boom, so they can help out on the set. Well, that's okay, but it's not really something you want to do if you care about your production because while this job isn't rocket science, it does require a certain amount of knowledge and understanding of boom positions, audio technique, as well as what the cameras needs are and also microphone patterns. So I'm just going to start off by just showing you a couple of different boom positions. Now, in my book and it's called The Shut Up and Shoot Documentary Guide, by the way, but in my book there is no right or wrong way to hold the boom. There is only a position that will or won't work for the particular…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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