From the course: Pro Video Tips
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Comparing ratios
I'm going to talk about how we use a light meter to measure lighting ratios in a minute, but first let's just take a look at some of the different lighting ratios and talk about the mood that they achieve starting from the lowest lighting ratio which is one-to-one. A one-to-one lighting ratio is when the key light and the fill lights are of equal brightness. Because they are both equally bright they essentially fill in the shadow that each would otherwise be casting. So when you have a one-to-one lighting ratio your image will look very flat. When the key light and fill light are evenly matched like this, it's called high-key lighting and it creates a very flat look because there are no real shadows or dark areas to give a sense of depth or texture in high-key lighting. Sitcoms, soap operas and morning talk shows all generally use flatter high-key lighting. The main reason for this isn't aesthetics as well as practicality. The big advantage of one-to-one high-key lighting for these…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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