From the course: Pro Video Tips
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Measuring light ratios
- Now I saved the trickiest part for last, because if I haven't told you, I really hate math. However to use lighting ratios, we're going to have to do a little bit of math on set, but I'll try to keep it simple, because I really couldn't do it any other way. Before we begin measuring our lighting ratios and f-stops, I just want to quickly review the relationship between f-stops and the relative difference in the amount of light that each f-stop represents. Each increment in f-stop represents an aperture that lets half as much light into the lens as the aperture before it. Starting at the widest aperture on this f-stop scale of f1.4 as we move up in f-stops by closing down our aperture, we're cutting the amount of light in half. So, f2.0 would be half the light of f1.4. If we close down our aperture to f2.8 from there, it's half the light we got at f2.0, and if we close down the aperture further to f4, it would let in half the amount of light we got at f2.8, etcetera, all the way…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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