From the course: Pro Video Tips
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Running and gunning with prime lenses
From the course: Pro Video Tips
Running and gunning with prime lenses
Now my preference for shooting running, gun work is almost always going to be on a zoom, but I want to quickly talk about running gun shooting with prime lenses. The potential problem of shooting with prime lenses for fast-paced subject matter is that you're limited to a single fixed focal lens. So, if you're shooting something where you need to capture a variety of images or the action is just unpredictable, fast moving, or under a variety of different lighting conditions, shooting on a fixed focal length prime lens could be a potential liability. Specifically, I'm talking about things like documentaries, weddings, or sporting events. Now, I say a prime lens can sometimes be a liability in these situations because you could easily end up with the same boring shot advantage point of the scene every time, especially if your camera has to stay planted. So ,subjects who stand or move further away from your shot could become teeny weeny and lost in the frame on wider lenses. And…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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