From the course: Pro Video Tips
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Using a second camera
- So as we've discussed already, shooting solo is already fraught with plenty of new challenges, but we're indie filmmakers, so clearly we're gluttons for punishment or else we would've done something sane like be a lawyer or nurse. So now I want to tell you how you can not only pull off a solo interview, but also up the production value of your solo interview, and make editing considerably easier by shooting with two cameras rolling simultaneously on the action. Now to pull of this feat solo, it's best to place the two cameras as close as possible, with your main camera set on a medium or wide shot, and the second camera set on a closer shot. As long as you keep one camera on a more conservative safety shot, you can pretty much get whatever shot you want with the second camera. Or if you're really feeling yourself, you can even periodically pause the interview and change the second camera angle completely between questions. Of course, anytime you have an unmanned or unwomanned…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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