From the course: Advanced Cinematic Video Lighting

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Overview of lighting: Hallway shot

Overview of lighting: Hallway shot

From the course: Advanced Cinematic Video Lighting

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Overview of lighting: Hallway shot

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- We're makin' movies, boys and girls, and this is how we do it. So now we've got a completely different angle that we're looking at this whole thing from. And this is sort of our window setup, so we're looking towards the windows. And, right now, Josh has still got that 28 on there. We might take a look at the 55, as well, but we want to acknowledge and talk about the changes that we've made and the changes that Greg and I have made are small, but significant in terms of what we've done. - Right. - So let's talk about that. Originally, we had this Bi-Color 1x1 sitting up there and it was important that it was up there because of the fact that we were on a 28mm looking at the whole space. - Yeah. - Now, we are really starting to look at our actor within this sort of middle ground and we're looking at it sort of face on. And when we started to setup the camera over here, we noticed that it just didn't feel great. In fact, Dominic, if you don't mind, I'm going to have Dominic, who's on…

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