From the course: Corporate Video
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Getting a quieter shooting environment
- Hi. My name is Rich Harrington. - And I'm Robbie Carman. - And this week, we're going to continue our look at our three part series on how to record a better interview in a smaller office. We've already covered lighting and the camera angles, and now we're on the last component, which is good audio. - Right. And getting good audio, as you've heard me probably say before in this series is, it's one of the most important things you can do. Because we listen to each other all day, we are really sensitive to good quality audio. We're willing to give up shooting problems, visual mistakes, as, "Oh, yeah, that was just a stylistic choice," or something like that. But when the audio is problematic, uh, people- - Doesn't work. - People cringe. So in an office environment, let's first think about the typical problems that we're going to find, right? - Yeah. - One of the biggest things I find in an office environment is that we have these miles and miles and miles of fluorescent overhead…
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