From the course: Creating a Short Film: 09 VFX Environments

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Polishing the composite

Polishing the composite

- [Instructor] At the beginning of this chapter, I kind of vaguely alluded to the fact that there are a couple interesting, quirky things about this shot that might help you. So we're just going to take a very brief overview look at those really quick just to kind of give your mind things to look out for as you're making composites. So I have this background plate, or whatever, and it worked great. I think it looks, you know, really believable for what would naturally go there. But, here are a couple problems. And actually, I'm going to go ahead and click the FX icon here in the timeline panel to turn off all the effects that I added. We'll talk about those in just a second. But here are the problems. As I'm going through here, and I'm scrubbing, and you could see the problem right there. So there's kind of like this flare, and it's gorgeous, but as she turns around, that flare is blocked, and then the color doesn't change in the patch, making it really obvious that there's patch…

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