From the course: Video Data Management on Set and in the Field
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Transcoding data
From the course: Video Data Management on Set and in the Field
Transcoding data
- We've got one more card for this shoot, and what I want to show you now is that option of transcoding. Sometimes what's going to happen is you shoot in one format, but the client or someone within your production or post-production department wants it in another format. In this case I was using AVCHD, but maybe they want something like Apple ProRes or the GoPro CineForm codec. Well, that's fine, we have tools that can easily transcode from one format to another. Let's give it a shot with Adobe Prelude. Now, we've already finished card two, so we'll update that to transferred. Actually, I do have two copies, so I'm going to call that backed-up. It goes to green in my worksheet. we'll go to the third card here, Camera 3 and I'm going to assume that this is the subject ISO Camera. We'll validate that in one second. I'll now eject the memory card. It's safe to remove, take that out, flip it and store it, and grab my next card. There we are. Let's quickly jump into Premiere and check…
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