From the course: ZBrush: Stylized Sculpting
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Final details on the pages - ZBrush Tutorial
From the course: ZBrush: Stylized Sculpting
Final details on the pages
- [Voiceover] Let's go ahead and turn on the skull and crossbones. We turn all of those arrow on at this point, and the book cover. Whoops. And we lost the paper. There we go. Nice. So you can see how fast we put that together. It went together really well. Of course, you can definitely come in here and start individually sculpting individual pages, if you wanted to. One way I can do that in a very simple way, make sure that my page is selected, and I'll go over to my Orb Cracks Brush. Orb Cracks has a tendency to cut all the way in, which is great at times. In this particular instance, we want a smaller brush, right? And we don't necessarily want to cut in. We want to do just the opposite, we want to come out. So I'm going to get this in a little bit better perspective, so by holding down alt, I can actually pull that out, and you see, I'm able to pull out an individual page, like that. Be careful. Make sure that you don't make them equal. You can see how I started to go equal…
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Contents
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Using Rake and Weave brushes to create old pages quickly6m 35s
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(Locked)
Quickly adding an aged texture to the paper3m 35s
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(Locked)
Final details on the pages2m 33s
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(Locked)
Adding a leather texture to cover6m 7s
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(Locked)
Working with layers2m 57s
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(Locked)
Using masking to isolate the creature’s shape6m 45s
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(Locked)
Sculpting in the tentacles and head shapes6m 2s
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(Locked)
Improvising the base sculpt of the head and face3m 22s
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(Locked)
Using the Mech A brush to pull sharp edges around shapes7m 16s
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(Locked)
Adding dimples using a Noise alpha map4m
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(Locked)
Creating a custom Alpha for stamping shapes quickly6m 2s
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(Locked)
Creating barnacles quickly using the Clay Tubes brush5m 51s
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(Locked)
Duplicating and moving parts4m 34s
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(Locked)
Quick scrollwork techniques using a variety of brushes6m
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(Locked)
Sculpting the lock top and bottom pieces3m 26s
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