From the course: ZBrush: Stylized Sculpting
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Improvising the base sculpt of the head and face - ZBrush Tutorial
From the course: ZBrush: Stylized Sculpting
Improvising the base sculpt of the head and face
- [Voiceover] So what I have to do right now is aside from obviously getting the basic part of the anatomy roughed in, I have to really determine what is going to be the angle of the facial structure and how's that going to work. I definitely want him looking to the, the right side and I have to really determine where is the eyes going to be and how's the whole thing going to look. Kind of like when you, looking at clouds, they sometimes create some type of imaginary image and I'm actually seeing a little bit of that happening right here. I've got almost like this, Davy Jones kind of look. It's kind of cool. I like that. I wish it was a little bit more refined but I'm going to actually go with it, so, we'll say that this is the one eye here and we have another eye here, and then he definitely has this pouty expression on his mouth and I'll refine that in a moment. I want to certainly make him angry. He is not a nice octopus. Why should he be, he's a pirate? And so you can see where…
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Contents
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Using Rake and Weave brushes to create old pages quickly6m 35s
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Quickly adding an aged texture to the paper3m 35s
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Final details on the pages2m 33s
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Adding a leather texture to cover6m 7s
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Working with layers2m 57s
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Using masking to isolate the creature’s shape6m 45s
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Sculpting in the tentacles and head shapes6m 2s
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Improvising the base sculpt of the head and face3m 22s
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Using the Mech A brush to pull sharp edges around shapes7m 16s
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Adding dimples using a Noise alpha map4m
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Creating a custom Alpha for stamping shapes quickly6m 2s
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Creating barnacles quickly using the Clay Tubes brush5m 51s
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Duplicating and moving parts4m 34s
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Quick scrollwork techniques using a variety of brushes6m
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Sculpting the lock top and bottom pieces3m 26s
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