From the course: ZBrush: Stylized Sculpting
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Sculpting the lock top and bottom pieces - ZBrush Tutorial
From the course: ZBrush: Stylized Sculpting
Sculpting the lock top and bottom pieces
- [Voiceover] So let's switch to that one now. And once again, we're at a level five, so I'll divide up to a level seven. Go over to my clay twos and add some more detail. Perfect, so all that remains is for me to do the same thing I did with the lock portion, just use my Meck A and it'll be complete and what I'll do is I'll come back when all that is finished and I'll show you how I do the final assembly of the book and at that point we're pretty much finished with the sculpting and ready to move onto the poly paint and start adding color. Okay I'm now complete with the top portion of the lock and all that remains is for me to create a duplicate of this and switch it to the bottom like we did before with the angle brackets. So I'm going to create a duplicate in my sub tool menu. Once again I'm going to delete the lower. And now switch over to the deformation and I want that to flip and mirror into the opposite direction. Let's try the y, yeah, so y is what we're looking for so we now…
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Contents
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Using Rake and Weave brushes to create old pages quickly6m 35s
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(Locked)
Quickly adding an aged texture to the paper3m 35s
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(Locked)
Final details on the pages2m 33s
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(Locked)
Adding a leather texture to cover6m 7s
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(Locked)
Working with layers2m 57s
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(Locked)
Using masking to isolate the creature’s shape6m 45s
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(Locked)
Sculpting in the tentacles and head shapes6m 2s
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(Locked)
Improvising the base sculpt of the head and face3m 22s
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(Locked)
Using the Mech A brush to pull sharp edges around shapes7m 16s
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(Locked)
Adding dimples using a Noise alpha map4m
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(Locked)
Creating a custom Alpha for stamping shapes quickly6m 2s
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(Locked)
Creating barnacles quickly using the Clay Tubes brush5m 51s
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(Locked)
Duplicating and moving parts4m 34s
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(Locked)
Quick scrollwork techniques using a variety of brushes6m
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(Locked)
Sculpting the lock top and bottom pieces3m 26s
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