From the course: ZBrush: Sculpting Portraits

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Sculpting small details

Sculpting small details - ZBrush Tutorial

From the course: ZBrush: Sculpting Portraits

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Sculpting small details

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- Usually when you sculpt, it’s a good idea to start with the big shapes, like we did. Like when we sculpted the forehead, and the nose, and the chin. And then we moved on to the medium shapes, like the wings of the nose, and the bags under the eyes, and the cleft in the chin. Before we get into the fine wrinkles and the pores, let's spend some times on those shapes that are small, but not quite so small as pores. Like little tiny shapes inside the eye here, or little tiny folds in the skin underneath the lips. Ok, so back in Zbrush. Every person has different amounts of detail on their face. Spencer is relatively young, so he doesn't have a lot of skin folds and wrinkles. But there still are some things to work on that are small, but not quite small like pores. So let me get my clay brush out. B-C-L And let’s just zoom in and see if we can find some of these things. To a large extent it’s going to be simply about refining what’s already there. So looking at the reference and seeing…

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