From the course: ZBrush: Sculpting Portraits

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Working on the nose

Working on the nose - ZBrush Tutorial

From the course: ZBrush: Sculpting Portraits

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Working on the nose

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- [Voiceover] Continuing on our phase of creating the mid-range details, we move on to the nose. There's a few anatomical structures to look out for that can make your sculpting more believable. Let's take a look. Let's start at the top and work our way down. Up here between the eyes it whats called the nasion. Now, on some people it's wider and other people narrower. So, you want to get this the right thickness. Let's see, it looks like on Spencer, it needs to be a little bit narrower. Let's go ahead and move the Move brush to pull that in. Now, there's also a variable depth. Some people it could be deeper. Other people, there might be hardly any depression at all. So, let's look at our reference and get that right. Now let's look, about halfway down on most people the nose tends to widen out a little bit. On Spencer, it looks like it doesn't widen out too much, but it starts to get a lot narrower just below that point. And then the shape of the nose tends to get a little bit bulbous…

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